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3 - 20 April 2024

Omnibus Theatre

30 May- 1 June 2024

Talawa Studio Fairfield Halls

Written and Directed by Anastasia Osei-Kuffour​

“One thing makes me a moth to a flame. Oneness. 

The missing piece…I’ve got to find it, because if not, if not…” 

Meet Anna, she’s the dream. She is ‘young, gifted and Black’, driven, ambitious and smashing it…but there’s one thing that’s still missing. Love.

Is it her? Is it them? Is it the 21st century ideal of love itself?  

Through a dynamic fusion of drama, poetry, dance and music (R&B, Hip Hop, Gospel) we see Anna take her Love Steps redefining love on her own terms.  

In her debut play, writer Anastasia Osei-Kuffour shines a light on the pressures placed on people to find a significant other and questions whether finding love defines one’s identity and how self-worth and self-esteem can exist outside of that.

Anastasia Osei-Kuffour | Writer, Director & Producer

 Ebenezer Ademisoye | Co-Producer

Lilli Lehmann | Line Producer 

Leroy ‘FX’ Dias Dos Santos | Movement Director & Choreographer

Duramaney Kamara | Sound Designer & Composer

Benny Goodman | Lighting Designer

Abu Mensah | AV Designer

Diana Whitehead | PR

Anne-Christelle Zanzen | Associate Dramaturg

Aundrea Fudge | Dialect Coach

Lili Fuller | Stage Manager

 

Steve Gregson | Rehearsal & Production Photographer 

Max Priddy | Rehearsal Videographer

Ernesto Mills | Production Videographer

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7 - 9 September 2023

Derby Theatre

A high-energy multimedia experience with live music, performance, dance and large scale digital projection.

4 Walls, an exciting new play from local music producer and Hip Hop artist, Rukus, invites you into a world of community, discovering what our fundamental needs are, who informs them and how we navigate where we go.

A Caribbean woman is surprised to be caught up in a scandal, in her old age. A school kid suffers sleepless nights in fear of deportation, yet his dreams of a music career stay big. Then there’s what’s her face, you know, the young nomad, out of place soul plodding the lonely road and not to 4get Femi, the inner-city dreamer, ambitious and aspirational, a believer.

But as their journeys go on, something just seems wrong. Living in the same block of flats, each stranger is experiencing a deafening chorus of fear that crescendos and bursts into a Uni-verse, which is simply entitled: Find where you belong.

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9 March 2023 to 1 April 2023

“All that is needed are two persuasive, engaging performers to tell the story, and Kudzai Mangombe as Chantel and Tristan Waterson as Matthew work beautifully together…concise, authentic and thought-provoking”   The Stage ⭐️⭐️⭐️⭐️

If only he knew. If only he listened. 

A tragic suicide. Two young Black lives are blown apart.

In the madness of grief, Matthew and Chantel find each other again.

As the clouds begin to clear they wonder what their shared future might hold.

I need to like myself; I need to have a proper life.

 

“A focussed, multi-layered glimpse into the lives of two young Black Britons that asks many vital questions.” Everything Theatre

ALL ROADS is the world premiere of a new play by Roy Williams (Death of England, Sing Yer Heart Out for the Lads), directed by Anastasia Osei Kuffour, (On the Ropes, Seeds, Typical, Cuttin’ It) which explores what it means to love, grieve and build your own future, being young Black and British today.

“… A spellbinding two-hander drama about two teens bonded by a trauma that both feel guilt about. It is piercingly well acted by the utterly natural Kudzai Mangombe & Tristan Waterson.” Mark Shenton

‘Williams’ script is wonderful…Both Kudzai Mangombe and Tristan Waterson are tremendous’ Theatre & Tonic ⭐️⭐️⭐️⭐️

 

Team

Writer: Roy Williams OBE

Cast: Kudzai Mangombe & Tristan Waterson

Directed by Anastasia Osei-Kuffour

Designed by Zahra Mansouri

Lighting by Jonathan Chan

Sound by Khalil Madovi

Movement and Intimacy Direction by Yassmin V Foster

Dialect and accents by Esi Acquaah-Harrison

 

Produced by Attic in partnership with Tramshed in association with Theatre Peckham and Bernie Grant Arts Centre

On The Ropes

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7 January 2023 to 4 February 2023

Jamaican roots. Home turf. Don’t give up the fight.

Pulsating with the rhythmic energies of blues, reggae and boxing, On the Ropes is an uplifting musical drama telling the extraordinary story of Vernon Vanriel who arrived in Britain aged 6 with his family as part of the Windrush Generation, and rose to prominence as one of the most charismatic and influential Black British boxers of the 70s and 80s. 

In 2005, having lived in North London for over 40 years, Vernon found himself trapped in Jamaica, and in a bare-knuckle fight for his right to citizenship with the British Home Office.

In an energetic fusion of live music, humour, poetry and the duck and weave of the boxing ring, On the Ropes is a celebration of Vernon – aka The Entertainer – and, ultimately, of how courage, dignity and a fighting spirit can triumph over prejudice and injustice.

 

“Stunning” Beverley Knight 

⭐️⭐️⭐️⭐️⭐️ “It movingly mixes poetry, dance, drama, brilliant live Reggae and Blues music that demands the audience join in, and some wonderfully raw humour” Ham & High

“Knock out performances from a committed cast and lots of lightness and laughter despite a harrowing story” Tori Allen-Martin 

⭐️⭐️⭐️⭐️⭐️ “Powerful. Intelligently directed by Anastaisa Osei-Kuffour” Islington Gazette

⭐️⭐️⭐️⭐️⭐️ “Profoundly moving" North West End

"Truly exceptional, I was blown away!” Amelia Gentleman 

⭐️⭐️⭐️⭐️⭐️ "A sweeping production" Plays to See

⭐️⭐️⭐️⭐️1/2 “This is such an important story, and such an important play, and I really do implore everyone who can to head to Park Theatre and see it" The Black Project

“Who needs Golden Globes, when you can see this new play?” Michelle Collins 

⭐️⭐️⭐️⭐️ “Buoyed by three superb performances, Anastasia Osei-Kuffour’s high energy production dances as if to the beat of a Reggae tune” Reviews Hub

⭐️⭐️⭐️⭐️ “A howl of defiance. The audience were enthralled throughout” Everything Theatre

⭐️⭐️⭐️⭐️ “A production worthy of a boxer known as 'The Entertainer'" London Living Large

⭐️⭐️⭐️⭐️ “Captivating. The cast had us engrossed with passionate performances.” Lost in Theatreland

⭐️⭐️⭐️⭐️ “Innovative, frustrating, emotional, and celebratory” Lou Reviews

 

Supported by Arts Council England, The Leche Trust, The Joyce Fletcher Charitable Trust, The Austin Hope Pilkington Trust, and The Royal Victoria Hall Foundation.

         

Photo by Steve Gregson

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February 2020-March 2020

UK National Tour

"What would you do to save your son? Everything? Anything? Lie?”

On Michael Thomas’ birthday, his cake sits in his mother’s living room, its candles burning undisturbed. Jackie wants to clear her conscience, whilst Evelyn’s got a big speech to deliver on the 15th anniversary of Michael’s fatal stabbing. Are some things better left unsaid?

Sensitively written by Mel Pennant and shortlisted for the Alfred Fagon
Award, Seeds tells the story of two mothers united in sorrow, sharing the hardship of protecting their sons - one in life, and one in death.

Brought by the producers of the critically-acclaimed production of good dog by Olivier Award nominated Arinzé Kene and led by a female creative team, Seeds explores the human story behind a tragedy through the eyes of those left behind.

'Impressively unrelenting' Always Time For Theatre  ⭐️⭐️⭐️⭐️

 'Provocatively and evocatively powerful' Fairy Powered  ⭐️⭐️⭐️⭐️⭐️

Photo by Wasi Daniju.

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August 2019-September 2019

Soho Theatre and The Pleasance Courtyard Edinburgh.

'Where is home?
Thought I was home
I fought then came home
Thought I was home...'

What is the cost of a typical night out? An ex-serviceman who has spent his life fighting for his country finds new battles in a society fighting against him.

From the makers of 2018 hit Queens of Sheba came this powerful new play by Ryan Calais Cameron confronting the daily tensions experienced by Black men as they negotiate life, while constantly feeling like their own lives are on the line.

Typical uncovers the man and the humanity behind a tragic real-life story, challenging traditional conceptions of Black manhood and highlighting the crisis of identity consuming Britain today.

Typical (film 2021)

'Astounding Play' The Guardian ⭐️⭐️⭐️⭐️⭐️

'Gripping' New York Times

'Powerfully poetic and painful', Arts Desk  ⭐️⭐️⭐️⭐️⭐️

Typical  (Stage Play)

'Gripping' Evening Standard  ⭐️⭐️⭐️⭐️ 

'Excellent' The Stage  ⭐️⭐️⭐️⭐️

'Mind-blowing' Afridiziak  ⭐️⭐️⭐️⭐️

'Incredibly powerful' View From The Cheap Seat  ⭐️⭐️⭐️⭐️⭐️

The List  ⭐️⭐️⭐️⭐️

The Scotsman  ⭐️⭐️⭐️⭐️

Exeunt Magazine

Fest Mag  ⭐️⭐️⭐️⭐️

The Skinny  ⭐️⭐️⭐️⭐️

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January 2018-February 2018

Royal Court Schools Tour, London and Birmingham.

"We’re opposites, even though we came from the same, she’s nuttin' like me, an that shames me."

Teenagers Muna and Iqra get the same bus to school but they've never really spoken. Muna wears Topshop and sits on the top deck gossiping about Nicki Minaj’s latest beef, while Iqra sits alone downstairs in her charity shop hand-me-downs. They were both born in Somalia but come from different worlds. But as they get closer, they realise that their families share a painful secret.

Tackling the urgent issue of FGM in Britain, Charlene James’ devastating play reveals the price some girls pay to become a woman.

Winner of the George Devine Award for Most Promising Playwright and the Alfred Fagon Award for Best New Play.

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May 2017-June 2017

Finborough Theatre

“What’s wrong with me? Something’s got to be awful wrong with me. Why am I never enough for people?”

Joanie loves her home – a small town on the Canadian prairies. But Joanie’s mum left her, her husband left her, and now her teenage daughter Carol-Ann wants to leave too…

If only she could “freeze a bit of time”, so nothing ever changed – like the footprints on the moon. As Joanie battles to keep Carol-Ann from leaving to go and live with her dad in Toronto, she is finally forced to confront why she keeps being abandoned by her loved ones, and the loves and losses that have shaped her life.

A finalist for Canada’s most prestigious literary award – the Governor General’s Award – and winner of the Labatt Award for Best Canadian Play, Footprints on the Moon premiered in Winnipeg in 1988 and has since been produced in New York City, and all over Canada including – amongst many others – Montreal, Toronto, Edmonton and Saskatoon. In 2017 it received its European premiere at the Finborough Theatre.

'Enthralling drama, hugely recommended' Act Drop  ⭐️⭐️⭐️⭐️⭐️

Reviewsgate  ⭐️⭐️⭐️⭐️

British Theatre Guide

(More info here)

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